The 201 Phasor adds subtle phasing 2-stage that sounds great with both clean and distorted tones. Due to the lighter tonality of 2-stage phasing, higher speeds are less cluttered and more articulate. Light aluminum chassis, true bypass switching, indicator LED, and modern power jack, round out the features of the deceptively simple 201 Phasor.

The classic returns, first conceived by David Oreste Defrancesco (DOD’s namesake) in the ’70’s as a way to get distortion and boost without any of the downsides that came with some of the fuzzes of the era. This updated version uses the vintage correct LM741 OpAmp, just like back in the ’70’s. Modern appointments like a tough, light, pedalboard friendly aluminum chassis. standard power input jack, true bypass, LED indicator, and bullion gold powder-coat makes the 250 at home on any pedalboard.

The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness. The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible.

Pairing an adjustable carrier signal with a revamped distortion circuit, the DOD Gonkulator essentially brings two effects into one chassis with controls for ring, frequency, gain and distortion. Capable of all the weird modulation goodness of the ’90s original with the added ability to cover distorted experimental ground, this pedal pushes boundaries and makes statements with modulating effects limited only by imagination. From bell-like clangs to spastic robotic breakdowns, the Gonk demands attention.

The 280 is an optical compressor that can go from light sustain to utterly smashed with the turn of a knob. Unlike faster non-optical circuits the 280 retains your high frequencies until you get into the more extreme settings. The 280 is ideal for chicken-pickin’, added sustain for leads, or snappy-slappy funk rhythm. The 280 also has enough output to be used as a lead boost with added compressor sustain. And like all of the updated DOD pedal, it has a modern power jack, LED, light but strong aluminum chassis, and true bypass switching.

The Gunslinger pedal boasts aggressive MosFET distortion designed to turn your American Twin amp into a fire-breathing dragon from the Isles of Britannia. A gentle mid-range hump helps your leads jump out in a mix, and a powerful separate EQ controls for the lows and highs offer plenty of tone sculpting. The Gunslinger can also run at 9v, or 12v if you need more headroom.

More than just an octaver, the Meatbox is a thick-cut subharmonic synthesizer as well. Adding in sub notes so low that you need to be careful not to blow your speakers. A TRS out allows you to split the subharmonic synthesized signal out to the P.A. for teeth-rattling, bone wrenching, bowel-shaking, booty-quaking bass that will rock the house, literally.

For such a simple layout, there’s a lot going on with the 410. In addition to gobs of boost, there is also a “tilt” tone control, and a unique buffer scheme. When the Buffer Switch is on, it is always on, even when the pedal is in bypass. When the Buffer Switch is off, the pedal is true bypass. This allows the 410 to be used as a buffered boost, unbuffered boost, line driver, stand-alone buffer, and an always-on tone sweetener with or without buffer. More than just More Me! While the 410 is based on the vintage ’70’s 410, it has a lot more tricks up its sleeve.

Designed in collaboration with Black Arts Toneworks, the Boneshaker is a dirty boost coupled with a powerful 3-band semi-parametric EQ. The Boneshaker can smack the front-end your amp into overdrive, or sculpt the tone of your fuzz to stand out in a mix. If your already dirty amp channel needs a little bit of a goose and you want full control over every frequency, the Boneshaker is just the ticket.